This work unfolds from my home on Whadjuk Noongar Country, where the Derbarl Yerrigan meets the ocean edge of Western Australia. The salt air, eucalypts, and slow pulse of tide and wind form the backdrop for this practice – a living reminder that we are not separate from what surrounds us.

For tens of thousands of years, First Nations peoples have worked with the body through movement, breath, song and ritual – practices woven into health, healing, and community life. I honour their enduring connection to land, waters, skies, and spirit, and pay my respects to Elders past and present.